Print: 11 featured artists

Erik Cruikshank takes the landscape as his initial starting point, his paintings are not literal in presentation but focus on the emotive qualities of place. Using an objective palette tied to the Scottish landscape, colour acts as a vehicle to reveal the planes of the image that underlie the landmarks. With structure, design and colour harmony grounded in the everyday, the viewer is encouraged to re-engage with notions of their surroundings, where the familiar opens up and becomes filled with possibility. With works that step outside the territory of traditional art and values, through process and presentation, a dialogue is opened between past and present, the historical and the contemporary.

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Victor Lope Contemporary Art

Daniel Domingo Schweitzer defines line and plane as elements of a code that investigates and generates different proposals that share a concern for surfaces, shapes, voids, materials and light. A particular language through form where texture, matter and body contain their own narratives that dialogue with each other to redefine themselves in the perception of the viewer. As the artist himself points out: “There is no representation in my works. They are direct proposals that appeal to the viewer's experience through the specificity of plastic languages.

Shiras Gallery

Dutch artist Nanon Morsink calls herself a multidisciplinary artist, having always worked with a variety of materials and techniques. However, her latest work has focused on the use of textiles. Using various salvaged materials, the artist creates three-dimensional works linked to textile art.

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Isolina Arubulu

Liquid Space + The Great

Ira Lombardia is an artist and researcher who works in different media such as photography, video, graphic design and sculpture. With her projects she questions discourses, dynamics and rhetoric that have been assumed in the field of contemporary art, image and philosophy. Her theoretical and practical production focuses on the transformation of the postmodern paradigm in relation to digital visual culture.
This line of research interests has led her to generate proposals that challenge traditional forms of production, exhibition and documentation.

David Martínez Suárez believes that there are forms that grow like a plant in a pot, they need a certain amount of attention, their roots hide and adapt to the container by absorbing nutrients, while another part moves towards the light. He tries to develop my pieces as grafts, like an artisanal technique in which a portion of tissue from a plant is joined to another already established one so that both grow as a single organism. Disparate materials that come closer to each other, modifying the distances as in a game of encounter and seduction.

ATM

Aurora Vigil-Escalera