Lucia Ares - Red field
Biografía del Artista: 2005-2010- Faculty of Fine Arts of San Fernando, (UCM), Madrid OUTSTANDING AWARDS 2018 -2nd Prize in the Young Creators Competition of the Community of Madrid -Combat Prize Finalist (ITALY) 2014 -Finalist in the IX Casimiro Contemporary Painting Competition Baragaña -Finalist in the XII Noreña Painting Biennial 2013 -Finalist in the BMW Painting Award 2012 -Sol de Oro for the illustrative series “Water Stains” for WWF Adena -Silver in CDC, Graphic Execution category “Water Stains” for WWF Adena -Two silver medals at the Art Director Club of Europe Awards 2010 Gijón, 1987 www.ve-contemp.org lucia.ares.art@gmail.com +49 171 8438446 or +4915770999796 EXHIBITIONS 2018 Giovani Fattori Civic Museum (Livorno) Italy Clock House Cultural Center 2014 Municipal Foundation of Culture of Siero Noreña House of Culture 2013 Casa de Vacas Cultural Center 2012 Madrid Congress Palace 2010 Museum of the City of Madrid Exhibition Hall of the Faculty of Fine Arts of San Fernando
In my painting, the subject is none other than the painting itself. The representation of a specific, perceptible or recognizable motif, has no value. What is truly important and the object of my search is painting as its own language, to delve into the codes of the plastic language. I look for the essence of that language, where the choice of the different elements that compose it, such as harmony, rhythm, composition, texture, etc.. are part of a game that describes my own personalityThis artwork includes a certificate of authenticity. A certificate of authenticity is a document from an authoritative source that verifies the authenticating value of the artwork. The certificate may be signed by the author of the artwork, by the representative gallery, or by the engraver who collaborated with the artist on the artwork.
The information that a certificate of authenticity usually includes is: name of the artist, details of the work (title, date, support, dimensions) and an image of it.
- Mantener las obras de arte alejadas de la luz directa del sol y de cualquier otra fuente de calor (calefacción, aire acondicionado, etc.) Evitar colgar las obras cerca de zonas con humo y contaminación (como chimeneas o cocinas). Te aconsejamos proteger los cuadros con un marco de cristal.
- Evitar las alteraciones bruscas de temperatura. Se recomienda conservar las obras pictóricas en zonas con temperatura ambiente de entre 18-20º y un 50% de humedad relativa.
- Si se quiere iluminar la obra de forma permanente, aconsejamos utilizar focos de luz fría. Utilizar un plumero suave para la limpieza periódica de la obra. Nunca usar limpiador doméstico.
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