Luzius Ziermann - The Schatz of Elcano
Biografía del Artista: The creative process is not an attempt to intervene or act. These works are a documentation of experiences captured by a very fine membrane, a very fine net that moves as if by the wind, like invisible particles that get lost. Each of these elements is independent and does not follow any system. They are in direct relation even if they seem to be, but they create a balance of tension. The determination of the position of each one is balanced at the time the image is born, the reaction of matter on the elements.
The creative process is not an attempt to intervene or act. These works are a documentation of experiences captured by a very fine membrane, a very fine net that moves as if by the wind, like invisible particles that get lost. Each of these elements is independent and does not follow any system. They are in direct relation even though they may seem to be, but they create a balance of tension. The determination of the position of each one is balanced at the time the image is born, the reaction of matter on the elements. German statement Der Entstehungsprozess ist der Versuch, nicht gestalterisch zu wirken oder einzugreifen. Die Arbeiten sind eher eine Dokumentation von Ereignissen, wie mit einer feinen Membran eingefangen, einem haarfeinen Netz, in dem sich vom Wind angetrieben, für uns unsichtbare Partikel verfangen und sich wieder verflüchtigen. Jedes dieser Elemente steht für sich. Deren Anordnung folgen keinem System. Sie stehen in keinem direkten Bezug zueinander. Bilden aber ein Spannungsgleichgewicht. Deren wage Positionsbestimmung gleicht während der Entstehung des Bildes
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- Mantener las obras de arte alejadas de la luz directa del sol y de cualquier otra fuente de calor (calefacción, aire acondicionado, etc.) Evitar colgar las obras cerca de zonas con humo y contaminación (como chimeneas o cocinas). Te aconsejamos proteger los cuadros con un marco de cristal.
- Evitar las alteraciones bruscas de temperatura. Se recomienda conservar las obras pictóricas en zonas con temperatura ambiente de entre 18-20º y un 50% de humedad relativa.
- Si se quiere iluminar la obra de forma permanente, aconsejamos utilizar focos de luz fría. Utilizar un plumero suave para la limpieza periódica de la obra. Nunca usar limpiador doméstico.
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