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Ana Gil Rodríguez - Brumas VI
Técnica: UV printing
Biografía del Artista: ANA GIL RODRÍGUEZ (Ourense, 1973) She obtained a degree in Hispanic Philology in Santiago de Compostela and spent years training in contemporary dance. She moved to Madrid to specialise in her degree in artistic and literary avant-garde. After discovering sculpture and photography as artistic languages, she pursued PhD studies at the Faculty of Fine Arts in Pontevedra, forming part of the ES2 research group at the University of Vigo. In July 2012 she defended her doctoral thesis at the Department of Sculpture at the University of Vigo, in which she collected the idea of simulation in the home as a deceptive space of protection, obtaining the title of doctor. Her beginnings link her with the realization of proposals framed within the so-called "ephemeral art", through various interventions in the natural environment or the practice of the performance genre in different exhibitions such as Chámalle X (2006) or the Ciclo Arte no Parque (2007), at the Centro Galego de Arte Contemporáneo. She has participated in various exhibitions related to feminist approaches such as Fem Art in Barcelona (2006) or Voilá la Femme (2009).This artwork includes a certificate of authenticity. A certificate of authenticity is a document from an authoritative source that verifies the authenticating value of the artwork. The certificate may be signed by the author of the artwork, by the representative gallery, or by the engraver who collaborated with the artist on the artwork.
The information that a certificate of authenticity usually includes is: name of the artist, details of the work (title, date, support, dimensions) and an image of it.
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- Mantener las obras de arte alejadas de la luz directa del sol y de cualquier otra fuente de calor (calefacción, aire acondicionado, etc.) Evitar colgar las obras cerca de zonas con humo y contaminación (como chimeneas o cocinas). Te aconsejamos proteger los cuadros con un marco de cristal.
- Evitar las alteraciones bruscas de temperatura. Se recomienda conservar las obras pictóricas en zonas con temperatura ambiente de entre 18-20º y un 50% de humedad relativa.
- Si se quiere iluminar la obra de forma permanente, aconsejamos utilizar focos de luz fría. Utilizar un plumero suave para la limpieza periódica de la obra. Nunca usar limpiador doméstico.
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