Nacho Martín Silva

Nacho Martin Silva

Without title , 2022
Paint
50 x 38 cm
4.840 €
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Description
Nacho Martín Silva - Without title

Técnica: Oil on linen

Biografía del Artista: Nacho Martín Silva's work revolves around a painting projected from concerns linked to concepts such as the fragmentary, the simulacrum and representation or the verisimilitude. Taking the History of Art and humanity or the creative process itself as axes, Martín Silva maintains a constant concern for how to confront the underlying theme through painting, which results in a polysemic work that takes different directions in its formalization. Nacho Martín Silva has a degree in Fine Arts from the Complutense University of Madrid, the city where he lives and works. His most recent individual projects include Il futuro non è ciò che era, curated by Tolo Cañellas, at Box 27 (Palma), Tirar del hilos hasta quedará ciego (Tug of the Thread Until I Get Blind) at JosédelaFuente (Santander) in 2017, and El Gran Estudio (The Great Studio), curated by Ángel Calvo Ulloa, at the Centro de Arte de Alcobendas (Madrid) in 2016. He has participated in group exhibitions in museums, galleries and international institutions such as Galerie Sobering in Paris, Espacio Odeón in Bogotá and OTR Espacio de Arte in Madrid, among others, and his work has been shown at the latest editions of the ARTBO (Bogotá) and ARCO Madrid fairs. He was awarded the Pilar Juncosa and Sotheby's Prize for Artistic Creation in 2017, and his work is the subject of analysis in the publication Nacho Martín Silva by Juan Francisco Rueda published by Nocapaper in 2016.

Martín Silva starts from photographic images to, through different pictorial resources as if they were literary forms, compose paintings that oscillate between the recognizable and the suggested, forcing the spectator to an arduous exercise of reflection before the image and inviting him to abandon himself to the enjoyment of the painting as a fact.
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Materials and care
Recomendaciones para una conservación adecuada de las obras de arte:
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  • Evitar las alteraciones bruscas de temperatura. Se recomienda conservar las obras pictóricas en zonas con temperatura ambiente de entre 18-20º y un 50% de humedad relativa.
  • Si se quiere iluminar la obra de forma permanente, aconsejamos utilizar focos de luz fría. Utilizar un plumero suave para la limpieza periódica de la obra. Nunca usar limpiador doméstico.
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