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IVÁN CANDEO - Tinguelly's brain
Técnica: Ink on agenda paper. Ink on diary paper
Biografía del Artista: (Caracas, 1983) He currently lives and works in Barcelona, Spain. Since 2004 he has been part of an independent study group made up of artists from different generations. In 2008 he obtained the title of Professor, specializing in Plastic Arts at the Universidad Pedagógica Experimental Libertador, Instituto Pedagógico de Caracas. He studied the Master of History and Theory of Plastic Arts at the Universidad Central de Venezuela and the Diploma of Contemporary History at the Fundación Rómulo Betancourt. He has also studied complementary courses in “experimental cinema” at the Aula Xcèntric of the CCCB. In 2018, she received a scholarship to study at the Laboratory of Contemporary Audiovisual Practices, LAV Master, Madrid. In addition, she participated in the Lugar a Dudas artistic residency, directed by the artist Óscar Muñoz, in Cali, Colombia. Among her solo exhibitions: There is a Goya in the soup, Alarcón Criado Gallery, Seville, Spain (2022); Without Act, Carmen Araujo Arte Gallery, Caracas, Venezuela (2018); Overseas Correspondences: Núria Güell and Iván Candeo, Mendoza Room, Caracas, Venezuela (2017); Court in Motion. Office #1, Caracas, Venezuela (2015) and Identity and Rupture, Casa Sin Fin, Madrid, Spain (2014) Candeo focuses on and confronts the relationship between image, movement and history, managing to identify a series of contradictions and paradoxes. He does this as an intermediary, “making” images pass through various aesthetic apparatuses of the gaze. He has participated in collective exhibitions in various spaces in Latin America, the United States, Canada and Europe. Among them: Unresolved Circumstances: Video Art from Latin America, MOLAA – Museum of Latin American Art, California, 2010; When a Painting Moves… Something Must Be Rotten! Sternesen Museum, Oslo, Norway, 2011; 8th Bienal do Mercosul: essays on geopoetics, Brazil, 2011; Moving image / Alteration, Gaîté Lyrique, Paris, 2012; Apocryphal Colony. Images of Coloniality in Spain, MUSAC, 2014; Ibi Et Nunc: democratic paradoxes LOOP, Barcelona, 2016; Proposal for a video archive, HAMACA – Museo Reina Sofia, Madrid, 2018; The Back of the Plot – 45th National Artists’ Salon, Bogotá, Colombia, 2019; VHS (Video Home System) Carrillo Gil Art Museum, Mexico City, 2020; Between us and the others: TOGETHER APART. MUNTREF Contemporary Art Center and Immigration Museum – Hotel de Inmigrantes Headquarters. Buenos Aires, Argentina, 2022. Among others.This artwork includes a certificate of authenticity. A certificate of authenticity is a document from an authoritative source that verifies the authenticating value of the artwork. The certificate may be signed by the author of the artwork, by the representative gallery, or by the engraver who collaborated with the artist on the artwork.
The information that a certificate of authenticity usually includes is: name of the artist, details of the work (title, date, support, dimensions) and an image of it.
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