The Postrimerías project is the extension of an impossible-to-finish work that always returns and each time adopts a different configuration, more intense, stark and paradoxically superficial. This project excavates with baroque tools among the ruins of an inflationary imaginary in which the production and demand for meaning are in imbalance, thus generating the indiscriminate profusion of images and codes and an incessant loss of poetic value. Reality imposes itself, imperative; reality is resented, wounded. Effects tend to disappear and dilute in the pure surface and in the accidents of language, in communicative formalizations, in calls for help and in warning calls. Expression is suspended and remains enclosed in the strange dimensions of the folds, unfoldings and refoldings of the monad. There is an attempt to be contained in the minimum and not be encompassed by the totality.