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Giorgio Griffa - Without title
Técnica: Acrylic
Biografía del Artista: Giorgio Griffa was born in Turin, Italy, in 1936 and became interested in painting as a child. Although he initially trained as a traditional painter, in the late 1960s he began to experiment with abstract works and develop his own personal poetry. He was part of a group of artists, including Giovanni Anselmo, Gilberto Zorio, Giulio Paolini and Mario and Marisa Merz, who transformed post-war Italian art in Turin in the mid-1960s. However, Griffa did not gain international recognition until late in his career, despite exhibiting at the São Paulo Biennale in 1977 and the Venice Biennale in 1978 and 1980. It would not be until the 21st century that his work would receive deserved recognition with several solo exhibitions at major museums and galleries around the world. Griffa's work focuses on materiality and is reduced to essential elements such as canvas, colour and brushstroke. His canvases often feature wrinkles that have formed during storage, adding a kind of grid to his compositions. Although he has been associated with movements such as Arte Povera, Analytical Painting, Pittura-Pittura and Minimalism, Giorgio Griffa's artistic career remains largely solitary, outside of a specific current.This artwork includes a certificate of authenticity. A certificate of authenticity is a document from an authoritative source that verifies the authenticating value of the artwork. The certificate may be signed by the author of the artwork, by the representative gallery, or by the engraver who collaborated with the artist on the artwork.
The information that a certificate of authenticity usually includes is: name of the artist, details of the work (title, date, support, dimensions) and an image of it.
Recomendaciones para una conservación adecuada de las obras de arte:
- Mantener las obras de arte alejadas de la luz directa del sol y de cualquier otra fuente de calor (calefacción, aire acondicionado, etc.) Evitar colgar las obras cerca de zonas con humo y contaminación (como chimeneas o cocinas). Te aconsejamos proteger los cuadros con un marco de cristal.
- Evitar las alteraciones bruscas de temperatura. Se recomienda conservar las obras pictóricas en zonas con temperatura ambiente de entre 18-20º y un 50% de humedad relativa.
- Si se quiere iluminar la obra de forma permanente, aconsejamos utilizar focos de luz fría. Utilizar un plumero suave para la limpieza periódica de la obra. Nunca usar limpiador doméstico.
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