‘No Fim de Tudo is or eats, negotiação!’
Carlos Noronha Feio’s artistic practice spans a variety of media and supports: painting, sculpture, video, installation, tapestry and drawing, based on philosophical inquiry into themes such as identity, nationalism, local and global culture, devices and the construction of meaning. His work develops distinctively in a rhizomatic structure, in which different series of research and work seek to defend and establish a broader panorama rather than immediate coherence or chronological brevity. Noronha Feio’s series seek to be expansive, creating points of connection between them and juxtapositions. These paintings expand off the canvas through sculptural elements (glass, neon lights and metal sculptures) that move them from the two-dimensional plane to a three-dimensional space.
