‘I know that’
(…) Through the arrangement of the sculptures in the room and the repetitions of the sound that accompanies them, this exhibition first evokes an image with which we are familiar, an image that is familiar to us, one that we can recognise almost immediately, but we soon realise that, staged by the artist, this very familiar image can take us much further, through the feeling of surprise that it triggers, for a moment of waiting. Then we become aware of this familiar feeling of confusion in the absence of words – a substance of an ethereal nature, perhaps, that takes on importance through the sculpture – and the breaking of this disconcerting silence, amidst melodious instrumental whistling, which envelops us and startles us. (…)
Filipa Correia de Sousa