'In the end I look out'

The prolific work of the artist Jesús Zurita formally extends across media such as drawing, painting and installation, through the execution of what he himself calls mural paintings. From a conceptual or discursive point of view, based on the questioning of representation itself, whether executed or staged, the artist tries to challenge contemporary notions of narrativity and silence.

In this direction, the artist has been investigating since the middle of the last decade, in the approach to the impossibility of representationally capturing the invisible, as if following Bataille's precepts on the abject: where mystery, pain, suspicion and alchemy result in a state of uncertainty.