‘The optimal form’
The optimal form is articulated through a series of procedural choices. These revolve around ideas about human gesture, the relationships between bodies and objects and the way these are established. Each is wrapped and enveloping, objects and subjects are folded back. The folding and entanglement is, in fact, learned and taught. The world is revealed through the body and our existence and experience appear in this apparently immovable border of dialogue between the self and the other. Time and effort are presented as the conceptual axis, the new tools have been reducing these two elements through their intricate and complex anatomies.