Sfhir - Mary Dark Skull
Biografía del Artista:
Sfhir is a graffiti artist, urban artist, muralist, three-dimensionalist, experimentalist and many other isms. In a continuous search for perfection, he has experimented with a multitude of techniques, chiseling each detail in a laborious, almost obsessive way, to achieve the crudest hyperrealism. Dissecting reality and capturing it in a graphic, overwhelming way, through an acidic and, at times, bleeding filter, with themes as varied as nature, the human being or iconography related to the consumer society, has been and is his objective.
Through the Looking Glass addresses a reflection on identity in an intercommunicative game with the visitor. The characters in this series contemplate themselves in an introspective way. Is there a more intimate act than a human being observing his own reflection, modulating his gestures and deciphering himself? The mirror offers us a chimera: the promise of conceiving what another's gaze is like on us. Is there anything more shameful than being discovered observing us when we believe ourselves to be alone? The spectator participates as a voyeur subject, and in this attempt to read the other, he also reflects himself. A magical, narcissistic, sinister object, mirrors that we try to deceive, that return our own image to us in a merciless way, and that are unequivocal proof of our own consciousness.This artwork includes a certificate of authenticity. A certificate of authenticity is a document from an authoritative source that verifies the authenticating value of the artwork. The certificate may be signed by the author of the artwork, by the representative gallery, or by the engraver who collaborated with the artist on the artwork.
The information that a certificate of authenticity usually includes is: name of the artist, details of the work (title, date, support, dimensions) and an image of it.
- Mantener las obras de arte alejadas de la luz directa del sol y de cualquier otra fuente de calor (calefacción, aire acondicionado, etc.) Evitar colgar las obras cerca de zonas con humo y contaminación (como chimeneas o cocinas). Te aconsejamos proteger los cuadros con un marco de cristal.
- Evitar las alteraciones bruscas de temperatura. Se recomienda conservar las obras pictóricas en zonas con temperatura ambiente de entre 18-20º y un 50% de humedad relativa.
- Si se quiere iluminar la obra de forma permanente, aconsejamos utilizar focos de luz fría. Utilizar un plumero suave para la limpieza periódica de la obra. Nunca usar limpiador doméstico.
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