'Natural History'
His work stages complexity through multiple stylistic beats, in a kind of delirious pasture of hundreds of heteronyms, mainly artists, writers and curators, who have been deployed in his most recent exhibitions since then. The artist frequently responds to the stylistic stimuli of history (the Baroque, the Rococo, the Middle Ages, conceptual art) but he approaches these moments to produce games of forms and fictions that are like a programming, very similar to that of Oulipo's procedures.