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M. A. Rodríguez Silva - Frontal. The color in the hand. Sepia
Técnica: Oil and graphite on paper
Biografía del Artista: Rodriguez Silva Olivares, Seville, 1960. He has a degree in painting from the Faculty of Fine Arts of the University of Seville. Rodríguez Silva places the emphasis on the most extreme aspect of abstraction: monochrome. For the Sevillian artist, the mere act of spreading a pigment on a surface is considered an artistic act in itself. The different formats and thicknesses of the oil paint take center stage in the work and invite the viewer to enjoy its three-dimensional dimension. Using the fragment as a structural element, the artist develops complex works that encourage interaction between modular elements. The artist takes an essentialist position in relation to artistic practice, as his main artistic concern is concentrated on the material and concrete aspects of painting. Showing the contrast between the inert and dehumanized character of metal and the organic quality of pictorial matter, his work (stripped of artifice, imperturbable and synthetic) pursues maximum visual intensity with the minimum and essential use of plastic elements. His work is represented in prestigious Andalusian institutional and corporate collections such as the Unicaja collection; Cajasol collection; Palacio Conde Duque de Olivares; Huelva City Council; Cadiz City Council and the Andalusian Regional Government Collection, among numerous private collections.This artwork includes a certificate of authenticity. A certificate of authenticity is a document from an authoritative source that verifies the authenticating value of the artwork. The certificate may be signed by the author of the artwork, by the representative gallery, or by the engraver who collaborated with the artist on the artwork.
The information that a certificate of authenticity usually includes is: name of the artist, details of the work (title, date, support, dimensions) and an image of it.
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- Mantener las obras de arte alejadas de la luz directa del sol y de cualquier otra fuente de calor (calefacción, aire acondicionado, etc.) Evitar colgar las obras cerca de zonas con humo y contaminación (como chimeneas o cocinas). Te aconsejamos proteger los cuadros con un marco de cristal.
- Evitar las alteraciones bruscas de temperatura. Se recomienda conservar las obras pictóricas en zonas con temperatura ambiente de entre 18-20º y un 50% de humedad relativa.
- Si se quiere iluminar la obra de forma permanente, aconsejamos utilizar focos de luz fría. Utilizar un plumero suave para la limpieza periódica de la obra. Nunca usar limpiador doméstico.
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