Miguel Fructuoso - S/T
Biografía del Artista: Miguel Fructuoso Born in Murcia, 1971 Lives and works in Madrid, Spain. 1996 Graduate in Fine Arts. Faculty of Fine Arts, University of Castilla La Mancha. Cuenca, Spain. SOLO EXHIBITIONS (selection) 2024 F2 Gallery. Madrid, Spain. (upcoming - June, 2024) 2022 “MY FAMOUS WHITE SERIES”, curated by Ángel Calvo Ulloa. Verónicas Gallery. Murcia, Spain. 2017 “UTOPIA”. T20 Gallery. Murcia, Spain. 2016 “CONCEPT. EAU DE COLOGNE”. Párraga Center. Murcia, Spain. 2015 “PAINTING PAINTING. Almudí Palace Art Center. Murcia, Spain. PAINTING PAINTING. A CABINET. Twin Gallery. Madrid, Spain. DIALOGUES. Ramón Gaya Museum. Murcia, Spain. 2012 FUCKING BEAUTY. Naval Museum. Cartagena, Spain. 2010 COHEN-WESSELMANN COLLECTION. Ramón Gaya Museum. Murcia, Spain. 2008 DESIRE TO BE A RED SKIN. Gates of Castile. Murcia, Spain. CRISIS, WHAT CRISIS? Magda Belloti Gallery. Madrid, Spain. 2005 FERRARIS. T20 Gallery. Murcia, Spain. 2004 NUENEN. Magda Belloti Gallery. Madrid, Spain. NOTHING. Fucares Gallery. Almagro, Spain. 2003 LANDSCAPE. Pedro Oliveira Gallery, Post-ite Room. Porto, Portugal. CECI N´EST PAS UNE PIPE. Carlos III Room. Pamplona, Spain. 2002 PAINTINGS 1964-1968. T20 Gallery. Murcia, Spain. 2001 THE PROJECT COLLECTOR. Aguirre Palace. Cartagena, Spain. 1999-2000 PROJECTS. Babel Gallery. Murcia, Spain. 1998 INTER. Luis Garay Room. Murcia, Spain. GROUP EXHIBITIONS (selection) 2023 “The distance between A and B is the same as that between B and A”. A dialogue between the Municipal Collection of Contemporary Art and the Mariano Yera Collection, curated by Bea Espejo. Cultural Center Contemporary CONDEDUQUE. Madrid, Spain. “THE TIME WAR” Project, third stage. Kells Collection. Párraga Center. Murcia, Spain. 2023 “THE DALTONS”. José Guerrero Center. Granada, Spain. 2022 “A HISTORY OF RECENT ART (1960-2020) II”. Juan March Foundation. Palma de Mallorca, Spain. 2022 “ATLAS, COORDINATES AND IDENTITIES IN THE MARIANO YERA COLLECTION”. San Esteban Palace. Murcia, Spain. 2022 “ARTISTS IN PRODUCTION”. Studio 50. Havana, Cuba. GALLERY. DOCTOR FOURQUET 28. 28012 MADRID. SPAIN. www.f2galeria.com GRANTS 2017 ICA production grant for the Cohen-wesselmann Foundation. 2015 Grant for a stay in New York from Fundación Casa Pintada. Mula, Murcia, Spain. 1997 Grant awared by the Autonomous Community of Murcia for stay at ARTELEKU. Bilbao, Spain. 1998 Grant for participation in the “Biennial of Young Artists of Europe and the Mediterranean”. Rome, Italy. COLLECTIONS Blanca Town Hall. Blanca, Spain. Murcia City Council. Murcia, Spain. Puerto Lumbreras Town Hall. Puerto Lumbreras, Spain. Mediterranean Savings Bank. Spain. Bank of Spain Collection. Madrid, Spain. Banco de Sabadell Collection. Spain. Cohen-Wesselmann Foundation Collection. Basel-Miami. DKV Collection. Spain. Entrecanales Collection. Madrid, Spain. FEVAL Collection. Cáceres, Spain. Kells Collection. Santander, Spain. Mariano Yera Collection. Spain. Rucandio Collection. Madrid, Spain. Official College of Administrative Managers of Valencia. Valencia, Spain. Chamber of Commerce, Industry and Navigation of Murcia. Murcia, Spain. Autonomous Community of Murcia. Murcia, Spain. Caja Murcia Foundation. Murcia, Spain. Painted House Foundation. Mula, Spain. El Norte Foundation. Seville, Spain. Almagro Museum of Contemporary Art. Almagro, Spain. Royal Academy of Fine Arts of Santa Maria de la Arrixaca. Murcia, Spain. University of Murcia. Murcia, Spain.
Acrylic on canvasThis artwork includes a certificate of authenticity. A certificate of authenticity is a document from an authoritative source that verifies the authenticating value of the artwork. The certificate may be signed by the author of the artwork, by the representative gallery, or by the engraver who collaborated with the artist on the artwork.
The information that a certificate of authenticity usually includes is: name of the artist, details of the work (title, date, support, dimensions) and an image of it.
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- Evitar las alteraciones bruscas de temperatura. Se recomienda conservar las obras pictóricas en zonas con temperatura ambiente de entre 18-20º y un 50% de humedad relativa.
- Si se quiere iluminar la obra de forma permanente, aconsejamos utilizar focos de luz fría. Utilizar un plumero suave para la limpieza periódica de la obra. Nunca usar limpiador doméstico.
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