Sculptor David Rodríguez Caballero (Palencia, 1970) works with metal and vinyl in abstract forms charged with dynamism that involve light and projected shadows as compositional elements. On this occasion, the works presented at Alchemy Times revolve around one of the recurring themes in his creative universe: African masks.

His most recent solo exhibitions include: Poetic Abstractions, Marlborough Gallery, Madrid (2017) David Rodríguez Caballero. Dance The Sculpture. Espace Meyer Zafra, Paris, (2016), Vinyls, Marlborough Gallery, New York, (2016), Citadelle. Mixtos Pavilion, Horno y Jardines, Ciudadela, Pamplona (2015); Plier et Déplier, Marlborough Monaco, Monte-Carlo (2013); David Rodríguez Caballero. Developments: Ongoing pieces 2010-2012, Marlborough Gallery, Madrid (2012); The States of the Cross: Light and Geometry in the Cloister of the Cathedral of Pamplona, ​​Pamplona (2011); Glaciers/Glaciares, Würth Museum, La Rioja (2011); Interpretations. A dialogue with Jorge Oteiza, Jorge Oteiza Museum Foundation, Alzuza, Navarra (2010). His work is present in collections such as Repsol, Coca-Cola Foundation, Würth Museum, La Rioja, Patio Herreriano Museum, Valladolid, National Library Madrid, Pamplona City Hall, Palace of the Popes Viterbo, Italy, Volksbang Foundation (Paderborn, Germany), Museum of Navarra and the ISE Cultural Foundation (New York / Tokyo).