Using old and used fabrics, I immerse myself in a new dimension that now evolves towards almost monochromatic surfaces, revealing a complex network of fractures with a minimum of characters, which are glimpsed by reliefs and silhouettes that emerge almost magically through the warp of the fabrics. Text and color are now combined in layers as an intimate encounter between past and present. Through a personal code and always using old fabrics and burlap as a support and leitmotiv, these are not used only as a background, they are a substantial part of the work. A succession of elements painted, dyed and prepared separately show apparently constructive references and gain strength through color, characters, wounds or original marks.