JESSICA STOCKHOLDER

JESSICA STOCKHOLDER

CORONA Homework virus #12 (JS 801) , 2020
Another category
51 x 56 cm
11.314 €
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Description
JESSICA STOCKHOLDER - CORONA Homework virus #12 (JS 801)

Biografía del Artista: Jessica Stockholder (Seattle, USA, 1959) is one of the most influential sculptors of her generation. Her work spans nearly three decades and is characterized by a commitment to color and materials. The way she interprets objects has become a hallmark of Stockholder's creation, as she participates in both the spheres of conceptualization and construction, through associations between the identifiable and the abstract. Stockholder's interest is focused on the assembly of objects of different nature and origin. Her work is an interrogation of the heterogeneous through an additive process of superimposition of materials, in which she combines objects from the real world and objects created by her without causing chaos, due to her control of space and what it contains, with which she manages to create an order among what at first sight seems chaotic and unconnected.

Jessica Stockholder is one of the most influential sculptors of her generation. Her work spans nearly three decades and is characterized by a commitment to color and materials. The way objects are interpreted has become a hallmark distinctive of Stockholder's creation, as it participates in both the spheres of conceptualization and construction, through associations between the identifiable and the abstract. The Coronavirus Homeworks were made at the artist's home during the Coronavirus quarantine, when she could not access his studio, located on the campus of the University of Chicago. The 29 works that make up the series are produced from different types of paper, fabrics, paint, markers, colored pencils, glue and a sewing machine. From its creation emanated the reflection on how we generate meaning and beauty depending on the way we live and work within the limits of our circumstances. Thus, he addressed the challenge presented by his precarious circumstances with interest and pleasure, and from the tranquility of his home he crafted these pieces while he saw and felt the weight of the tragedy unfolding around him.
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