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Luis González Palma - S/t
Técnica: Judea gold and bitumen lamina printing
Biografía del Artista: Born in Guatemala in 1957. From the beginning my work has been a reflection on the gaze. How are eyes that stare at us constructed in our internal experience? How are shadows, brightness and all the geography implicit in each photograph interpreted and elaborated within us? If our way of seeing is made from the social and the cultural, we can conclude that every gaze is political and that every artistic production is subject to this judgment. The gaze as power. From there, I can feel that the work of art is a possibility to show this, to question our way of seeing, to question the history that has produced all these gradations of the gaze and therefore, our ways of reacting to the world. In my artistic process I have tried to create images that invite to be examined through what I call “emotional contemplation”, giving them the meaning of their form through their beauty. Over the years I have built scenarios and modified certain faces to create images that allow other perceptions of the world, other ways of understanding it, and of modifying it internally.This artwork includes a certificate of authenticity. A certificate of authenticity is a document from an authoritative source that verifies the authenticating value of the artwork. The certificate may be signed by the author of the artwork, by the representative gallery, or by the engraver who collaborated with the artist on the artwork.
The information that a certificate of authenticity usually includes is: name of the artist, details of the work (title, date, support, dimensions) and an image of it.
Recomendaciones para una conservación adecuada de las obras de arte:
- Mantener las obras de arte alejadas de la luz directa del sol y de cualquier otra fuente de calor (calefacción, aire acondicionado, etc.) Evitar colgar las obras cerca de zonas con humo y contaminación (como chimeneas o cocinas). Te aconsejamos proteger los cuadros con un marco de cristal.
- Evitar las alteraciones bruscas de temperatura. Se recomienda conservar las obras pictóricas en zonas con temperatura ambiente de entre 18-20º y un 50% de humedad relativa.
- Si se quiere iluminar la obra de forma permanente, aconsejamos utilizar focos de luz fría. Utilizar un plumero suave para la limpieza periódica de la obra. Nunca usar limpiador doméstico.
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