‘Baroque nightmare’
If delving into the Baroque involves a series of complexities derived from its many nuances and parameters or from the differences that arose within its schools, doing so in the second decade of the 21st century involves other, greater complexities, including overcoming the superficial biases caused by the history of art itself. The truth is that Miguel Scheroff (1988, Navas de Tolosa, Jaén) and Francesc Rosselló (1994, Mallorca) in “Pesadilla Barroca”, rather than remaining on the threshold of the abyss of “the Baroque” in a reflective or analytical attitude, throw themselves into that abyss, reaching its deepest essence with a clear intention: to articulate the Baroque under an unquestionable contemporaneity.