Rebeca Plana - Ainilam
Biografía del Artista: The work of Rebeca Plana (Valencia, Spain, 1976) presents a raw, modern and humanistic world, purposely handmade. It has a highly abstract, sometimes calligraphic character that invites the creation of structured composition elements with an improvised and wild air. Plana's style is reminiscent of great figures of painting such as Hans Hartung, Pierre Soulages, Willem De Kooning or Franz Kline, where the stroke, gesture and colour are executed in unison, while emerging as undisputed protagonists. It did not matter whether they were monochrome paintings or not, only the texture they gave them and the stroke they immortalized in each gesture. She graduated from the Faculty of Fine Arts of San Carlos in Valencia and trained at the Faculty of Fine Arts in Lisbon and at the College of Spain in Paris. She has presented solo exhibitions at the College of Spain in Paris, the Sala Gallera in Valencia, the Fernando Latorre Gallery in Madrid and the Punto Gallery in Valencia and has participated in group exhibitions in spaces such as the Casa de Vacas in Madrid, the Ibercaja Torrenueva Space (Zaragoza), the Antonio Pérez Foundation in Cuenca, the Sala Parpalló, La Nau, the Caja Castellón Foundation or the Bancaja Foundation. Also in fairs such as JustMAD, ARCOmadrid, Arte Santander, ESTAMPA or Gante Artfair.
Exhibitions: UNTDELEMN, Rebeca Plana. Chirivella Soriano Foundation. April 19 - June 23, 24.This artwork includes a certificate of authenticity. A certificate of authenticity is a document from an authoritative source that verifies the authenticating value of the artwork. The certificate may be signed by the author of the artwork, by the representative gallery, or by the engraver who collaborated with the artist on the artwork.
The information that a certificate of authenticity usually includes is: name of the artist, details of the work (title, date, support, dimensions) and an image of it.
- Mantener las obras de arte alejadas de la luz directa del sol y de cualquier otra fuente de calor (calefacción, aire acondicionado, etc.) Evitar colgar las obras cerca de zonas con humo y contaminación (como chimeneas o cocinas). Te aconsejamos proteger los cuadros con un marco de cristal.
- Evitar las alteraciones bruscas de temperatura. Se recomienda conservar las obras pictóricas en zonas con temperatura ambiente de entre 18-20º y un 50% de humedad relativa.
- Si se quiere iluminar la obra de forma permanente, aconsejamos utilizar focos de luz fría. Utilizar un plumero suave para la limpieza periódica de la obra. Nunca usar limpiador doméstico.
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