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German Lorca - Cereal zone view for or center
Técnica: Silver jelly on paper
Biografía del Artista: German Lorca was born in São Paulo in 1922. A photographer and graduate of the Liceo Académica in 1940, since 1949 he has been involved in the Foto Cine Club Bandeirantes (FCCB), a group of artists who introduced new trends in photography, such as José Yalenti (1895-1967), Thomaz Farkas (1924-2011) and Geraldo de Barros (1923-1998). During this period he produced well-known images such as Malandragem (Malandrage) (1949), À Procura de Emprego (Procurement of Employment) (1951) and Apartamentos (Apartments) (1952). He recorded the landscape of the city of São Paulo, especially in places in the central region, such as Sé Square. He opened his first studio in 1952, and in 1954 he worked as official photographer for the celebrations of the IV Centenary of the city of São Paulo. From then on he devoted himself exclusively to photography, working mainly in the area of advertising, where he won awards such as the Colunistas Prize, awarded by the magazine Meio & Mensagem, in 1985 and 1989. His work during the FCCB era is analyzed in the book A Fotografia Moderna no Brasil, by Helouise Costa, published in 1995 by the Federal University of Rio de Janeiro (UFRJ). Lorca's work articulates a kind of urban poetics of the streets of São Paulo, composed of landscapes that are both everyday and disconcerting. Combining intimacy and estrangement, Lorca creates ambiguous and suggestive compositions. Roland Barthes' punctum takes on an unexpected role here, as Lorca's photographs are full of perforations, tears, and disturbing (mis)encounters hidden in apparently familiar settings. Only by looking through these visual cracks, and not around them, is it possible to decipher Lorca's fascinating imagery, the lucid freedom of his gaze. The photographer's sensitivity is mainly focused on scenes from everyday life, recording with great freedom images that reveal themselves poetically or that provoke a certain strangeness. His initial production has a decisive role in the renewal of modern photography in the country. His work has been included in important collections around the world, such as Banco Itaú (São Paulo), Museu de Arte de São Paulo (MASP), Pinacoteca do Estado (São Paulo), Cisneros Fontanals Art Foundation (Miami) and MoMA (New York). ).This artwork includes a certificate of authenticity. A certificate of authenticity is a document from an authoritative source that verifies the authenticating value of the artwork. The certificate may be signed by the author of the artwork, by the representative gallery, or by the engraver who collaborated with the artist on the artwork.
The information that a certificate of authenticity usually includes is: name of the artist, details of the work (title, date, support, dimensions) and an image of it.
Recomendaciones para una conservación adecuada de las obras de arte:
- Mantener las obras de arte alejadas de la luz directa del sol y de cualquier otra fuente de calor (calefacción, aire acondicionado, etc.) Evitar colgar las obras cerca de zonas con humo y contaminación (como chimeneas o cocinas). Te aconsejamos proteger los cuadros con un marco de cristal.
- Evitar las alteraciones bruscas de temperatura. Se recomienda conservar las obras pictóricas en zonas con temperatura ambiente de entre 18-20º y un 50% de humedad relativa.
- Si se quiere iluminar la obra de forma permanente, aconsejamos utilizar focos de luz fría. Utilizar un plumero suave para la limpieza periódica de la obra. Nunca usar limpiador doméstico.
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