The work of Belén Uriel (Madrid, 1974) analyses the space, both material and symbolic, that exists between bodies and the objects that surround them. Her artistic practice interacts with different materials, such as glass, iron or bronze, to create formal dialogues in which concepts such as the production of leisure or the commodification of human-nature relations are questioned. For this exhibition, Uriel presents an unpublished body of work in which anatomy and the way in which it is objectified are protagonists. Her sculptural proposals navigate within a poetic biology that combines the robust and eternal with the subtle and fragile, inviting the viewer to inhabit an ecosystem in which the memory of the body is capable of constructing alternatives and rethinking the ways in which it relates to its context.