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Malgosia Jankowska - Green Island IV
Técnica: Paper on paper
Biografía del Artista: The painter Malgosia Jankowska was born in 1978 in Sochaczew (Poland) and studied painting in Warsaw and Berlin. With fine brushstrokes, she contrasts people and nature. She masterfully creates paintings of impressive depth and breadth, alternating translucent and pasty colours. In some paintings, white light mysteriously breaks through the tree trunks like a white mist. The delicate lines and the soft tones, sometimes restricted to a single colour on a white background, are reminiscent of the engravings in old storybooks. The scenes that Malgosia's paintings invite us to are like a fairy tale. In the literal sense, the word "fantastic" is also very symbolic of the repertoire that Jankowska explores in her painted world and has become a succinct characteristic of her art: Children in the forest, wolves or colossal mushrooms are not just visual images of a borrowed reality in the manner of the Brothers Grimm. Malgosia has equipped herself with a set of figures that are entirely her own, which she always puts into relation with each other. The child as an emblem of innocence, roaming freely through the dangerous forest, reflects a secret world of the subconscious. Nature becomes the space of buried fears and desires.This artwork includes a certificate of authenticity. A certificate of authenticity is a document from an authoritative source that verifies the authenticating value of the artwork. The certificate may be signed by the author of the artwork, by the representative gallery, or by the engraver who collaborated with the artist on the artwork.
The information that a certificate of authenticity usually includes is: name of the artist, details of the work (title, date, support, dimensions) and an image of it.
Recomendaciones para una conservación adecuada de las obras de arte:
- Mantener las obras de arte alejadas de la luz directa del sol y de cualquier otra fuente de calor (calefacción, aire acondicionado, etc.) Evitar colgar las obras cerca de zonas con humo y contaminación (como chimeneas o cocinas). Te aconsejamos proteger los cuadros con un marco de cristal.
- Evitar las alteraciones bruscas de temperatura. Se recomienda conservar las obras pictóricas en zonas con temperatura ambiente de entre 18-20º y un 50% de humedad relativa.
- Si se quiere iluminar la obra de forma permanente, aconsejamos utilizar focos de luz fría. Utilizar un plumero suave para la limpieza periódica de la obra. Nunca usar limpiador doméstico.
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