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Winston Roeth - Green Grid
Biografía del Artista:
The minimalist and conceptual vibration of abstraction is paired with the sublime tradition of colour in the painting of Winston Roeth (Chicago, 1945). Well known in Italy, where he has carried out permanent interventions, Roeth is part of the circle of artists formed around the collector Giuseppe Panza: Max Cole, Marcia Hafif, Phil Sims, Lawrence Carroll, David Simpson, Etore Spaletti and James Turrell, all of them authors of a very rigorous visual poetics and especially subtle in its sensorial and symbolic connotations. Winston Roeth's pieces recover the memory of Rothko's colour fields, Ellsworth Kelly's chromatic experiments and the intuitive geometry of Agnes Martin and Robert Irwin to reveal not only the increasingly blurred border that separates painting and sculpture, but also the unprecedented harmony between that art of thought represented by monochrome and the warmth of natural materials. Equally essential but disparate in their sensorial vibration, the two sets of paintings on slate included in the exhibition represent a careful reflection on the multiple nature of the work of art. Some are perfectly executed - the more intellectual ones -, the others more artisanal - those that show the irregular textures of the slate surface -, both demonstrate both the great openness of contemporary art and the ductile perception of its spectators.
This artwork includes a certificate of authenticity. A certificate of authenticity is a document from an authoritative source that verifies the authenticating value of the artwork. The certificate may be signed by the author of the artwork, by the representative gallery, or by the engraver who collaborated with the artist on the artwork.
The information that a certificate of authenticity usually includes is: name of the artist, details of the work (title, date, support, dimensions) and an image of it.
Recomendaciones para una conservación adecuada de las obras de arte:
- Mantener las obras de arte alejadas de la luz directa del sol y de cualquier otra fuente de calor (calefacción, aire acondicionado, etc.) Evitar colgar las obras cerca de zonas con humo y contaminación (como chimeneas o cocinas). Te aconsejamos proteger los cuadros con un marco de cristal.
- Evitar las alteraciones bruscas de temperatura. Se recomienda conservar las obras pictóricas en zonas con temperatura ambiente de entre 18-20º y un 50% de humedad relativa.
- Si se quiere iluminar la obra de forma permanente, aconsejamos utilizar focos de luz fría. Utilizar un plumero suave para la limpieza periódica de la obra. Nunca usar limpiador doméstico.
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