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Carlos Domingo - Bow
Técnica: Coal on paper
Biografía del Artista: Saint Augustine (Teruel), 1969. His work reflects a clear interest in the relationship between human beings and nature: nature versus culture and its implications for the question of identity. With a marked drawing character, it is developed from the formal synthesis between processes, materials and images of natural origin. He uses volume as a prominent resource, establishing conceptual and formal relationships to question the character of things through ambiguous forms, vaporous stains and blurred boundaries. He uses various disciplines to give form to his artistic creations: hand-made sculpture in small and medium formats, painting and drawing, with mystery being the guiding thread of his work. Carlos Domingo began his Fine Arts training in Valencia, where he currently teaches in the Department of Painting at the Polytechnic University, where he holds a PhD in Fine Arts. He is also a member of the Research Centre for Art and Environment at the same university. Since 1993 he has held numerous exhibitions at national and international level, with a coherent career, delving into a personal universe of images aimed at enhancing the viewer's more reflective gaze. His work has been recognized with the Senyera Painting Prize (2003), the Alfons Roig Creation Grant (2005) and the National Publishing Prize of the Ministry of Culture (2012), among others.This artwork includes a certificate of authenticity. A certificate of authenticity is a document from an authoritative source that verifies the authenticating value of the artwork. The certificate may be signed by the author of the artwork, by the representative gallery, or by the engraver who collaborated with the artist on the artwork.
The information that a certificate of authenticity usually includes is: name of the artist, details of the work (title, date, support, dimensions) and an image of it.
Recomendaciones para una conservación adecuada de las obras de arte:
- Mantener las obras de arte alejadas de la luz directa del sol y de cualquier otra fuente de calor (calefacción, aire acondicionado, etc.) Evitar colgar las obras cerca de zonas con humo y contaminación (como chimeneas o cocinas). Te aconsejamos proteger los cuadros con un marco de cristal.
- Evitar las alteraciones bruscas de temperatura. Se recomienda conservar las obras pictóricas en zonas con temperatura ambiente de entre 18-20º y un 50% de humedad relativa.
- Si se quiere iluminar la obra de forma permanente, aconsejamos utilizar focos de luz fría. Utilizar un plumero suave para la limpieza periódica de la obra. Nunca usar limpiador doméstico.
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