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CRISTINA MEJÍAS - Salitre is what remains I and II
Técnica: Gavids clay (Crete) cooked, pigment and sea salt. Baked Gavdos Clay (Crete), Pigment and Sea Salt.
Biografía del Artista: Visual artist with a degree in Fine Arts from UEM, she developed part of her training and artistic practice at the National College of Arts & Design (Dublin), AID (Berlin) and a Master of Research in Art and Creation at UCM (Madrid). After several years in Berlin, she currently lives and works in Madrid. She has exhibited individually at Centro Párraga (Murcia, 2021), Teatro La Capilla with Víctor Colmenero (CDMX, Mx, 2021), Museo de Jaén (2021), Blueproject Foundation (Barcelona, 2020), Museo de Cádiz (2020), MACZUL (Maracaibo, VZ, 2017) and collectively at Kindred Spirit (Lisbon, PT 2023) or at the Centre d'art contemporain Chapelle Saint-Jacques (Saint-Gaudens, FR 2023). Párraga Center (Murcia, 2023 and 2020), House of Iberoamerica (Cádiz, 2022-23), Provincial Palace of Cádiz (2022), Rafael Botí Foundation (Córdoba, 2022 and 2021), Juan March Foundation Museum (Palmas, Balearic Islands, 2022), Circle of Fine Arts (Madrid, 2021), Admiral Palace (Granada, 2021), Impronta (Guadalajara, MX, 2021), ProjectH (CDMX, Mx, 2021), Unpublished and Generation 2020 Award at La Casa Encendida (Madrid, 2020), SCAN Projects (London, UK, 2020), CentroCentro (Madrid, 2020 and 2016), C3A (Córdoba, 2019), CArteC (Madrid, 2019), Premi Ciutat de Palma (Baleares, 2019), Santa Inés (Seville, 2018), Fundación Mendoza (Caracas, VZ, 2017), Ranchito ARCOLisboa Matadero Madrid /Galerias Municipais (Madrid/Lisboa, 2018), Artothèque (Bordeaux-Pessac, France, 2018), TEA (Tenerife, 2018), Cultural Center of Spain/AECID (Rosario, Argentina/ Concepción, Chile/Lima, Peru, 2018), XXVII Plastic Arts Circuits (Madrid, 2017) and LABoral (Gijón, 2017), Cajasol Foundation (Seville, 2017), CAAC (Seville, 2016) Recent awards and scholarships include the 16th illySustainArt Award at ARCOmadrid 2023, the 2022 International Open Work Award, Grants for Creation in Visual Arts in the Community of Madrid 2022, the ARCO Foundation Award 2022, the ARCO Community of Madrid Award 2022, Incorporation into the HAMACA2022 Archive, the Caja Extremadura Foundation Award 2022, Generation 2020 of the Montemadrid Foundation, Blueproject Foundation, VEGAP XXIII or Comunidad de Madrid-Estampa2019. Highlights of these residencies include: Artworks (Oporto, Portugal) thanks to a grant for artistic production in collaboration with Matadero Madrid; Pico do Refúgio (San Miguel Island, Azores, PT), Festival Volcánica (Guadalajara, MX), Blueproject Foundation (Barcelona), Hangar Lisboa (Lisbon, PT), C3A (Córdoba), Tabakalera (San Sebastián), Ateliers dos Coruchéus (Lisbon, PT) and Correspondencias de Ultramar#4 with stays at the Mendoza Foundation (Caracas, VZ) and the Museum of Contemporary Art of Zulia MACZUL (Maracaibo, VZ). His work can be found in collections such as the Arco Foundation, the Caja Extremadura Foundation, CA2M, the Andalusian Centre for Contemporary Art, the Montemadrid Foundation, DKV and the Jorge M. Pérez Miami Collection.This artwork includes a certificate of authenticity. A certificate of authenticity is a document from an authoritative source that verifies the authenticating value of the artwork. The certificate may be signed by the author of the artwork, by the representative gallery, or by the engraver who collaborated with the artist on the artwork.
The information that a certificate of authenticity usually includes is: name of the artist, details of the work (title, date, support, dimensions) and an image of it.
Recomendaciones para una conservación adecuada de las obras de arte:
- Mantener las obras de arte alejadas de la luz directa del sol y de cualquier otra fuente de calor (calefacción, aire acondicionado, etc.) Evitar colgar las obras cerca de zonas con humo y contaminación (como chimeneas o cocinas). Te aconsejamos proteger los cuadros con un marco de cristal.
- Evitar las alteraciones bruscas de temperatura. Se recomienda conservar las obras pictóricas en zonas con temperatura ambiente de entre 18-20º y un 50% de humedad relativa.
- Si se quiere iluminar la obra de forma permanente, aconsejamos utilizar focos de luz fría. Utilizar un plumero suave para la limpieza periódica de la obra. Nunca usar limpiador doméstico.
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