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ESTHER GARRISON - Dog in Temirtau. SteelWorks
Biografía del Artista:
I define myself as a photographer with an interest in different photographic registers, but in all my works I capture the loneliness, hardness and sadness of the human condition, with the eager desire to present it with a beautiful and careful aesthetic. The title of the project “Where? In Karaganda” refers to an old phrase from the times of the Soviet Union, alluding to something being in the middle of nowhere or “in the middle of nowhere”. Karaganda played a crucial role in the industrialization and modernization of the Soviet Union as a coal producer and today it has regained importance after the beginning of the Russian invasion of Ukraine. In each of the images there is an underlying message of restlessness that invites reflection. Grotesque apocalyptic landscapes or disturbing beauty? Or perhaps both? Without proposing value judgments or political analysis, the aesthetics of abandonment and oblivion are questioned, interrogating the rough and rugged surfaces of its landscapes, its industrial architecture and the remoteness of its inhabitants. The route starts in Karaganda, the capital of the province of the same name, and reaches the Shubarkol-Komir coal mine, passing through Temirtau, considered one of the most polluted cities on the planet.
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The information that a certificate of authenticity usually includes is: name of the artist, details of the work (title, date, support, dimensions) and an image of it.
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- Mantener las obras de arte alejadas de la luz directa del sol y de cualquier otra fuente de calor (calefacción, aire acondicionado, etc.) Evitar colgar las obras cerca de zonas con humo y contaminación (como chimeneas o cocinas). Te aconsejamos proteger los cuadros con un marco de cristal.
- Evitar las alteraciones bruscas de temperatura. Se recomienda conservar las obras pictóricas en zonas con temperatura ambiente de entre 18-20º y un 50% de humedad relativa.
- Si se quiere iluminar la obra de forma permanente, aconsejamos utilizar focos de luz fría. Utilizar un plumero suave para la limpieza periódica de la obra. Nunca usar limpiador doméstico.
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