Armando De La Garza - #09
Biografía del Artista: Armando de la Garza BIO Born in the city of Monterrey, Nuevo León, in 1973, he began his painting studies at a very young age, but it was not until 1995, when he finished his degree in architecture, that he began his professional career in the art world. He has exhibited in more than 40 collective exhibitions in the USA, France, Austria, the Czech Republic, Hong Kong, Australia, Italy, Spain and Mexico. ? Individually he has exhibited on more than 25 occasions, highlighting "anywhere this can be found" at Ginocchio Gallery in DF, "Once Upon a Time" at the Center for the Arts in Monterrey, "ID" at Emma Molina Gallery, San Pedro Garza Gcia. "The Misfortunes of Virtue" Oblyon Gallery, Barcelona, Spain, "Horror Vacui" Isabel Croxatto Gallery, Santiago de Chile "Portraits of the Court" alternative gallery once or "Biotá" in the Area Cretiva 42 space in Rivarolo Italy among others. He has been awarded various recognitions such as the acquisition prize at the XVIII Review of Nuevoleonesa plastic arts and first place in the first biennial of the German Cultural Center as well as selections at the IX FEMSA Biennial and in different issues of the Review of Nuevoleonesa plastic arts, and the National Meeting of young art among others.
Figurative painting by Mexican artist Armando de la Garza, titled #09, is part of the “Vanitas” Series. Series based on the classic theme of “Vanitas” but exploring the themes of contemporary bathrooms and what they can tell about their usersThis artwork includes a certificate of authenticity. A certificate of authenticity is a document from an authoritative source that verifies the authenticating value of the artwork. The certificate may be signed by the author of the artwork, by the representative gallery, or by the engraver who collaborated with the artist on the artwork.
The information that a certificate of authenticity usually includes is: name of the artist, details of the work (title, date, support, dimensions) and an image of it.
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- Evitar las alteraciones bruscas de temperatura. Se recomienda conservar las obras pictóricas en zonas con temperatura ambiente de entre 18-20º y un 50% de humedad relativa.
- Si se quiere iluminar la obra de forma permanente, aconsejamos utilizar focos de luz fría. Utilizar un plumero suave para la limpieza periódica de la obra. Nunca usar limpiador doméstico.
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