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Irene Sánchez Moreno - Red cabin in the snow
Técnica: Oil on canvas
Biografía del Artista: The landscapes of Irene Sánchez Moreno (Granada, Spain, 1983) - visually vibrant and blinding - are seen as a forbidden and inaccessible land. Autonomous and protagonist landscapes, but at the same time marked - for better or worse - by the footprint of the human being. Horizons that provoke a bucolic but threatening sensation, that double Arcadia that Erwin Panofsky referred to. However, a desire for reconciliation also prevails, an attempt at affirmation before an abysmal and unattainable infinity. A mountain, a dry trunk, or a partially covered sky, must be capable of plastically reflecting - subjective - states of consciousness. It is an experience of the limit that postulates a vast spiritual itinerary beyond objective representation. Likewise, the versatility and inconsistency through which these landscapes go from the most vacuous picturesque curiosities to the pure emotion of the sublime is fascinating – John Ruskin used to refer to the Alps as “cathedrals of the earth”. The narrative nature of his work confronts us as spectators with open endings, where we contemplate ourselves from an “elevated” and intentionally revealing point.This artwork includes a certificate of authenticity. A certificate of authenticity is a document from an authoritative source that verifies the authenticating value of the artwork. The certificate may be signed by the author of the artwork, by the representative gallery, or by the engraver who collaborated with the artist on the artwork.
The information that a certificate of authenticity usually includes is: name of the artist, details of the work (title, date, support, dimensions) and an image of it.
Recomendaciones para una conservación adecuada de las obras de arte:
- Mantener las obras de arte alejadas de la luz directa del sol y de cualquier otra fuente de calor (calefacción, aire acondicionado, etc.) Evitar colgar las obras cerca de zonas con humo y contaminación (como chimeneas o cocinas). Te aconsejamos proteger los cuadros con un marco de cristal.
- Evitar las alteraciones bruscas de temperatura. Se recomienda conservar las obras pictóricas en zonas con temperatura ambiente de entre 18-20º y un 50% de humedad relativa.
- Si se quiere iluminar la obra de forma permanente, aconsejamos utilizar focos de luz fría. Utilizar un plumero suave para la limpieza periódica de la obra. Nunca usar limpiador doméstico.
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