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Isidro Blasco - Garrido
Técnica: C-Print, museum cardboard without acid and wood
Biografía del Artista: Isidro Blasco combines architecture, photography, and installation to explore physical and psychological terrain. Digital images and raw building materials are used to create large- and small-scale architectural environments and three-dimensional reconstructions of neighborhoods, producing snapshots of urban landscapes that challenge perceptions. Isidro Blasco was born in Madrid, Spain, in 1962, and has lived in New York since 1996. The artist has exhibited worldwide, including Australia, Brazil, China, Austria, Portugal, and Spain. New York venues include MoMA-PS1, Black and White Gallery-Brooklyn, Smack Mellon Gallery-Brooklyn; SIM Gallery-Brazil, Dominick Mersch-Sydney, Australia, Wave Hill in the Bronx, Espacio Uno-Reina Sofía, Alcalá 31-Madrid. Numerous awards include sculptor-in-residence at the Spanish Academy in Rome (1991); the Pollock Krasner Foundation Fellowship (2010, 1998); and the Guggenheim Foundation Fellowship in Visual Arts (2000). In the United States, Blasco’s works can be found in the collections of the Museum of Modern Art; Whitney Museum of American Art; Queens Museum of Art; Tweed Museum of Art; Chicago Institute of Contemporary Art; and the Baltimore Museum of Art, among others. The artist maintains studios in Madrid, Spain; and Brooklyn, New York.This artwork includes a certificate of authenticity. A certificate of authenticity is a document from an authoritative source that verifies the authenticating value of the artwork. The certificate may be signed by the author of the artwork, by the representative gallery, or by the engraver who collaborated with the artist on the artwork.
The information that a certificate of authenticity usually includes is: name of the artist, details of the work (title, date, support, dimensions) and an image of it.
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- Evitar las alteraciones bruscas de temperatura. Se recomienda conservar las obras pictóricas en zonas con temperatura ambiente de entre 18-20º y un 50% de humedad relativa.
- Si se quiere iluminar la obra de forma permanente, aconsejamos utilizar focos de luz fría. Utilizar un plumero suave para la limpieza periódica de la obra. Nunca usar limpiador doméstico.
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