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JESSICA STOCKHOLDER - CORONA Homework virus #6 [JS 824]
Técnica: Gofrado and serigraph paper, embroidered thread, pencil. Crayón, marker, graduate pencil
Biografía del Artista: Jessica Stockholder (Seattle, USA, 1959) is one of the most influential sculptors of her generation. Her work spans nearly three decades and is characterized by a commitment to color and materials. The way she interprets objects has become a hallmark of Stockholder's creation, as she participates in both the spheres of conceptualization and construction, through associations between the identifiable and the abstract. Stockholder's interest is focused on the assembly of objects of different nature and origin. Her work is an interrogation of the heterogeneous through an additive process of superimposition of materials, in which she combines objects from the real world and objects created by her without causing chaos, due to her control of space and what it contains, with which she manages to create an order among what at first sight seems chaotic and unconnected. Jessica Stockholder is one of the most influential sculptors of her generation. Her work spans nearly three decades and is characterized by an engagement with color and materials. The way she interprets objects has become a hallmark of Stockholder’s creation, engaging in both the spheres of conceptualization and construction, through associations between the identifiable and the abstract. Stockholder's interest is focused on the assembly of objects of different nature and origin. Her work is an interrogation of the heterogeneous through an additive process of superimposition of materials, in which she combines objects from the real world and objects created by her without causing chaos, due to her control of space and what it contains, with which she manages to create an order among what at first sight seems chaotic and unconnected. The Coronavirus Homeworks were created at the artist’s home during the Coronavirus quarantine, when she was unable to access her studio on the University of Chicago campus. The 29 works that make up the series are produced from different types of paper, fabric, paint, markers, colored pencils, glue, and a sewing machine. Their creation sparked a reflection on how we generate meaning and beauty depending on how we live and work within the confines of our circumstances. She thus approached the challenge presented by her precarious circumstances with interest and pleasure, and from the tranquility of her home she crafted these pieces while watching and feeling the weight of tragedy unfolding around her.This artwork includes a certificate of authenticity. A certificate of authenticity is a document from an authoritative source that verifies the authenticating value of the artwork. The certificate may be signed by the author of the artwork, by the representative gallery, or by the engraver who collaborated with the artist on the artwork.
The information that a certificate of authenticity usually includes is: name of the artist, details of the work (title, date, support, dimensions) and an image of it.
Recomendaciones para una conservación adecuada de las obras de arte:
- Mantener las obras de arte alejadas de la luz directa del sol y de cualquier otra fuente de calor (calefacción, aire acondicionado, etc.) Evitar colgar las obras cerca de zonas con humo y contaminación (como chimeneas o cocinas). Te aconsejamos proteger los cuadros con un marco de cristal.
- Evitar las alteraciones bruscas de temperatura. Se recomienda conservar las obras pictóricas en zonas con temperatura ambiente de entre 18-20º y un 50% de humedad relativa.
- Si se quiere iluminar la obra de forma permanente, aconsejamos utilizar focos de luz fría. Utilizar un plumero suave para la limpieza periódica de la obra. Nunca usar limpiador doméstico.
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