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José Manuel Broto - Without title n. 59
Técnica: Oil on canvas
Biografía del Artista: José Manuel Broto (Zaragoza, 1949) trained at the School of Arts and Crafts in Zaragoza, later moving to Barcelona and in 1985 to Paris, where he met artists such as Miquel Barceló, Miguel Ángel Campano and José María Sicilia. He held his first exhibition in 1968, influenced by constructivism. He collaborated in the founding of the Trama group; a group focused on the field of abstraction as opposed to conceptualism. In the early eighties, his artistic proposal was articulated around large-scale paintings dominated by colour and its expressive qualities, as well as pictorial gesture. Years later, his painting became simpler in terms of the materials and forms he referred to, and he introduced themes such as spatial figures or atmospheric forms. Broto received the National Prize for Plastic Arts in 1995, the ARCO Prize from the Association of Critics in 1997, and the Aragón Goya Prize for Engraving in 2003. His work is part of important collections, such as those of the Museum of Spanish Abstract Art (Cuenca), the Juan March Foundation (Madrid), the Antoni Tàpies Foundation (Barcelona), the Metropolitan Museum of Art (New York), the Kampo Collection (Tokyo), the Ateneum Museum (Helsinki), the Peter Stuyvesant Foundation (Amsterdam), the Preussag Collection (Hanover, Germany) and the IVAM (Valencia).This artwork includes a certificate of authenticity. A certificate of authenticity is a document from an authoritative source that verifies the authenticating value of the artwork. The certificate may be signed by the author of the artwork, by the representative gallery, or by the engraver who collaborated with the artist on the artwork.
The information that a certificate of authenticity usually includes is: name of the artist, details of the work (title, date, support, dimensions) and an image of it.
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- Mantener las obras de arte alejadas de la luz directa del sol y de cualquier otra fuente de calor (calefacción, aire acondicionado, etc.) Evitar colgar las obras cerca de zonas con humo y contaminación (como chimeneas o cocinas). Te aconsejamos proteger los cuadros con un marco de cristal.
- Evitar las alteraciones bruscas de temperatura. Se recomienda conservar las obras pictóricas en zonas con temperatura ambiente de entre 18-20º y un 50% de humedad relativa.
- Si se quiere iluminar la obra de forma permanente, aconsejamos utilizar focos de luz fría. Utilizar un plumero suave para la limpieza periódica de la obra. Nunca usar limpiador doméstico.
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