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Juan Luis Moraza - ALULES (Social Model 1)
Biografía del Artista:
ARULES Series. Rulers, squares, gauges, templates, measurement and pattern models taken from different contexts (architecture, textile pattern making, school, nautical, etc.) are twisted to create unique folds, producing the paradoxical situation of a universal anormativity: one person, one ruler... a figure of a perversion of the symbolic. According to a kind of hyperbolic geometry, the idea is suggested that the torsion of the measurement defines a twisted space. Since each of the hundreds of post-rules is twisted in a singular way, the paradox of anormativity is stated: at the limit of the versatility and ductility of the Law, the diversification and normative flexibility tends to a limiting situation in which each subject and each occasion demands a different norm. In this way, the symbolic principle of the Law is dismissed. And it is replaced by the normative that no longer needs to be affected by a principle of legitimacy, but is performative for compliance, for unquestioned application. The norm does not imply a binding principle of regulation (symbolic), but an adaptation to the fact (metonymy as a displacement of the real to the imaginary). The claim of the singular, converted into a normative principle, tends to the implantation of an anormative system, in which the principle of universal suffrage, one person, one vote, is transformed into a principle of universal narcissism: "one person, one norm." Is it the extreme rigidity of flexibility?
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The information that a certificate of authenticity usually includes is: name of the artist, details of the work (title, date, support, dimensions) and an image of it.
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- Mantener las obras de arte alejadas de la luz directa del sol y de cualquier otra fuente de calor (calefacción, aire acondicionado, etc.) Evitar colgar las obras cerca de zonas con humo y contaminación (como chimeneas o cocinas). Te aconsejamos proteger los cuadros con un marco de cristal.
- Evitar las alteraciones bruscas de temperatura. Se recomienda conservar las obras pictóricas en zonas con temperatura ambiente de entre 18-20º y un 50% de humedad relativa.
- Si se quiere iluminar la obra de forma permanente, aconsejamos utilizar focos de luz fría. Utilizar un plumero suave para la limpieza periódica de la obra. Nunca usar limpiador doméstico.
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