Laura F Gibellini

Laura F Gibellini

FLUOR HERBARY 1 , 2020
Drawing
32 x 25.3 cm
905 €
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Description
Laura F Gibellini - FLUOR HERBARY 1

Técnica: fluorescent marker and paint on plant paper

Biografía del Artista: Laura F. Gibellini Madrid, 1978 --- Laura F. Gibellini He has exhibited at Matadero, Madrid; Cultural Center Contemporary (CCCB), Barcelona; Künstlerhaus Glogauer, Berlin; Capella of Sant Roc, Tarragona; Museum of the Sures, New York; Accademia di Belle Arti, Rome; International Studio Curatorial Program (ISCP), New York; AC Institute, New York; Centro de Arte Joven, Madrid; Boston Center for the Arts, Boston; The Gabarron Foundation, New York; c Mass MoCA, North Adams; Santa Monica Art Center, Barcelona; UCCA, Beijing; Artist Space, New York; Center for Contemporary Arts, Santa Fe and La Casa Encendida, Madrid, among others. The artistic practice of Laura F. Gibellini is of a procedural and diagrammatic nature and is fundamentally formalized through drawing, site-specific installations, video, object creation or writing. Consideration of expanded drawing, as well as the abandonment of frontal, bounded and two-dimensional representation from traditional drawing in favor of immersive and “environmental” projects are found in the basis of their work. This begins by considering the notion of place and asking how we relate to the world, to move on to investigate what kind of conventions we use to represent it and for what purpose –what takes us from the intimacy of the domestic sphere to the territory and the environment. His most recent work investigates those elements that are found at the limits of the visible, in the limits of what is representable and therefore on the limits of what can be thought. In particular, it focuses in that which lacks a stable form and yet is basic to life (such as air, water, light or the meteorological or atmospheric conditions of certain places) and considers how the difficulties of representation affect our understanding of the world, since what remains unrepresentable does not can be recognized, and therefore thought. Gibellini's work explores the gaps of representation and the possibilities of thinking the unthinkable.

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