Lin Mo

Lin Mo - Xinyi

Biografía del Artista: Lin Mo is a Chinese artist born in Harbin in 1962, known for his work in painting and sculpture. His work focuses on exploring the relationship between nature and culture, and creating works that combine traditional Chinese elements with contemporary techniques and materials. Lin Mo studied at the Central Academy of Fine Arts in Beijing, graduating in 1985. Since then, he has exhibited his work in numerous solo and group exhibitions in China and abroad. In his work, Lin Mo uses a wide variety of techniques and materials, from painting and bronze sculpture to installation and performance. His works often incorporate natural elements such as wood, stone and water, as well as traditional Chinese cultural elements such as Chinese characters and decorative motifs. Lin Mo has received several awards and recognitions for his work, including the Special Prize of the Shenzhen Art Biennale in 2006 and the China Contemporary Art Award in 2008. In addition, he has been selected to participate in major contemporary art exhibitions around the world, such as the Venice Biennale and the Shanghai Biennale.

 

A projection of metaphors floats on the surface of the works of Lin Mo ?? (Harbin, China, 1962). Situated within the framework of the YI school, the germ of contemporary Chinese abstraction, the artistic path of Lin Mo ?? has been marked by his peregrinations through different countries in which he has consolidated his prestige through thoughtful and committed work. The Chinese poet Meng Ming ?? defines the artist's work as Decarnation ??, a poetic term that alludes to Buddhist reincarnation, understanding Lin Mo ??'s paintings as a cycle of moments that are revived and in which the essence of life in a phenomenological world underlies, in the sense in which Hegel postulated the search for spiritual truth. Colorful and passionate, Lin Mo's work exudes a chromatic range that emerges from a creative ecstasy full of brilliant touches that emulate textures, calligraphy, and signs of identity that are inherent to her. The technique, large random brushstrokes, does not follow artistic parameters, it is governed by what is called "pure painting", creating stains that generate rhythms, relationships, moments. An abstract romanticism, in which bright and light colors are combined with oriental ink to show what is hidden from the senses, what the ancients called the esoteric. // Metaphors projection is in the works of Lin Mo (Harbin, China, 1962). Contextualized in the frame of YI School, germ of abstract expressionism school. The Chinese poet Meng Ming??defines the work of Lin Mo?? as Decarnation ??, poetic term that alludes to the Buddha reincarnation, which allow us to understand the paintings of Lin Mo??as a series of moments that explain the essence of life in phenomenological world, in which Hegel looked into to spiritual truth. The work of Lin Mo ?? is colorful and passionate, with wide chromatic palette, emerged from the creative ecstasies, which is full of brilliant ways that it seems textures. The big and random capes of painting is not due to any artistic parameter, instead of this, the artist promotes, what he calls ";pure painting”, creating stains that generate rhythms, relations and moments. Abstract Romanticism full of brilliant colors that are combined with oriental ink to show what is invisible to the senses, what ancient called, the esoteric.