Mauro Giaconi

Mauro Giaconi

Without title , 2016
Recorded
40 x 50 cm
Ediciones: 100
732 €
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Description
Mauro Giaconi - Without title

Técnica: Serigraphy

Biografía del Artista: Mauro Giaconi Buenos Aires, 1977 Mauro Giaconi He has held solo exhibitions at the BMocA (Boulder Museum of Contemporary Art), MAMBA (Museum of Modern Art of Buenos Aires), University Museum del Chopo, and participated in collective exhibitions in the Gregory Allicar Museum of Art, Recoleta Cultural Center and Museum of the Palace of Fine Arts in Mexico City. His works belong to collections such as: SPACE Collection, OMI International School of Art, Bemis Center for Contemporary Art, in the USA, and Colección Jumex, in Mexico. In addition, he has been awarded various prizes, such as as: Phillips Young Talent Award, at the stages from Argentina and Latin America, UADE Painting Salon, National Drawing Salon, and ArteBA–Petrobrás in Argentina. Mauro Giaconi's work explores the possibilities of drawing as an expanded field. Through this the artist extends into other disciplines, such as sculpture or installation, with the aim of investigating architecture, precariousness and the body as territories in conflict. In this sense, the artist subverts both the paper support and the idea of ​​drawing as basic expression of artistic practice, resulting in the occupation of space, in the act performative with emphasis on bodily experience and the intervention of objects and universal references belonging to the contemporary metanarrative. In the conceptual field, his work often presents content and experiences that strain or cancel out opposing notions such as birth and death, construction and destruction, freedom and closure, as a gesture that invites us to revisit and question the dichotomous meaning of ideas. On the other hand, Mauro Giaconi carries out work as a critical facilitator of the systems of art production, having co-founded in 2014 the projects: Obrera Centro, space self-managed that promotes interdisciplinary artistic experimentation; and HerratecA, popular library of tools. Both cases reveal the artist's interest in practical collaborative that generate new spaces and transformative actions, under the premise that from the collective and from dialogue arise possibilities of progress and access to the culture.

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