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Teresa Moro - Lamp. Karl Trabert
Técnica: Gouache on paper
Biografía del Artista: Madrid, 1970. He lives and has his studio in Pozuelo de Alarcón. Graduated in Fine Arts, specializing in Painting, from the Complutense University of Madrid and trained during a course in the Painting Department at the Chelsea School of Art and Design in London. Things, whether we have them in our private space or those we see outside of it, are the main and obsessive theme of Teresa Moro's work. Commonly used objects, the emotional connection with them or the evocative power that the relationship with their owners brings to them, have always been the subject of her work. For years he has been painting the everyday things that surround us with the intention of revealing their most enigmatic dimension, and thus revealing in them subtle strangeness or alterations, which makes them unique. Lately he has been exploring and reviewing the authors of Modernity in search of details, differences and areas with a special vibration. Fighting against the frustration that comes from realising the unstoppable standardisation that the consumer society is imposing on our habitats. Her work is featured in various museums and collections such as the CGAC in Santiago de Compostela, the MoMA in New York (Judith Rothschild Collection), the María Cristina Masaveu Peterson Foundation, the Coca-Cola Collection, DA2 Salamanca, CAB in Burgos, the UNICAJA Collection in Malaga or the MAC Conde Duque of the Madrid City Council.This artwork includes a certificate of authenticity. A certificate of authenticity is a document from an authoritative source that verifies the authenticating value of the artwork. The certificate may be signed by the author of the artwork, by the representative gallery, or by the engraver who collaborated with the artist on the artwork.
The information that a certificate of authenticity usually includes is: name of the artist, details of the work (title, date, support, dimensions) and an image of it.
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- Mantener las obras de arte alejadas de la luz directa del sol y de cualquier otra fuente de calor (calefacción, aire acondicionado, etc.) Evitar colgar las obras cerca de zonas con humo y contaminación (como chimeneas o cocinas). Te aconsejamos proteger los cuadros con un marco de cristal.
- Evitar las alteraciones bruscas de temperatura. Se recomienda conservar las obras pictóricas en zonas con temperatura ambiente de entre 18-20º y un 50% de humedad relativa.
- Si se quiere iluminar la obra de forma permanente, aconsejamos utilizar focos de luz fría. Utilizar un plumero suave para la limpieza periódica de la obra. Nunca usar limpiador doméstico.
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